Issue link: http://papercitymagazine.uberflip.com/i/1462583
features 85 international, national, and Texas galleries. Dallas Arts Month, staged annually in April, is on — as is the sexy, fabulous party The Eye Ball, presented by Headington Companies on Saturday, April 23, around Tony Tasset's oracular gargantuan eyeball. (Secure your entry with the purchase of an all-access pARTy Pass, $500, dallasartfair.com.) Long-time director Kelly Cornell (who began as an intern and rose to become the curatorial vision behind the fair) says, "Once again, we'll be raising funds to put works from the fair into the Dallas Museum of Art's permanent collection." To date, this initiative has added nearly 40 artworks, selected by a coterie of DMA curators and donors, to the Dallas Art Fair Foundation Acquisition Program; this knowledgeable group tours the fair pre-opening day to make their Clockwise from top left: Tafadzwa Tega's Vatengesi, 2021, at Mimmo Scognamiglio. Kevin Todora's Yellowboy, 2022, at Erin Cluley Gallery. Minoru Yoshida's Untitled, circa 1965, at Ulterior Gallery. Zachari Logan's Datura, from Eunuch Tapestries, 2014, at Bill Arning Contemporary. Hung Liu's Dragonflies, 2011, at Turner Carroll Gallery. Page 44, from top: Javier Peláez's Camuflaje #2, 2021, at Saenger Galería. Doug Ohlson's Marker/The Deep, 1986, at Louis Stern Fine Arts. (Continued from page 44) 46