Issue link: http://papercitymagazine.uberflip.com/i/1538827
Alice Amati (London); Constitución (Buenos Aires); Piermarq (Sydney); L.A. contingent Megan Mulrooney, Murmurs, One Trick Pony Gallery, and de boer; and deCERCA (San José, Costa Rica). Texas players figure large in Nest, too: Houston's Seven Sisters, F, Laura (the gallery), and Basket Books & Art; Dallas-based 12.26; Austin's Martha's and Northern- Southern; and longtime legendary Dallas photo dealer PDNB Gallery, now relocated to Denton, presenting a solo for grand- master lensman Earlie Hudnall Jr., a 2022 Lifetime Achievement honoree from Art League Houston. Talking Texas Besides the phalanx of Texas- based galleries highlighted in Nest, Untitled Art presents some of the state's most notable in the tightly curated main section of the fair. Place these on your list: Barbara Davis Gallery (ask to see Teresa Serrano's 1990s-era sculpture); Bond Contemporary (a solo presentation for CAMH- and MoMA-exhibited photographer M i n g S m i t h ) ; C o l e c t o r (also with locations in Dallas/ and Monterrey, showcasing Angelbert Metoyer's intuitive cycle of large drawings); Inman Gallery, focused upon Houston greats Francesco Fuchs (concurrently on view at The Menil Collection) and Jamal Cyrus; McClain Gallery's adroit pairing of Texas-born painters Dorothy Hood and John Alexander; Moody Gallery trifecta of Randy Twaddle, Tracye Wear, and Sarah Williams; Latin American powerhouse Sicardi | Ayers | Bacino, where a classic Carlos Cruz-Diez geometric abstraction promises to captivate; joined by the University of Houston School of Art and Public Art. Finally, kudos to Dallas gallerists for presenting their respected programs at Untitled Art, Houston: Erin stable. Chicago dealers include The Mission Projects and Andrew Rafacz. Also making anticipated showings are Philadelphia's Pentimenti, Detroit's buzzy Library Street Collective; and Miami's Spinello Projects. In the Nest Adding a sense of discovery and the new, Untitled Art expands upon its Nest section, whereby gallerists receive booth subsidies, allowing for a jolt of the experimental, emerging, and/or underrepresented. Included among this must-investigate list are Hair + Nails (Minneapolis); Clockwise from top: Beverly Fishman's Pleasure, Liberation, Clarity, Choice, Ease, Self-Determination, 2024, at Jessica Silverman. Dorothy Hood's Untitled, 1974–1974, at McClain Gallery. April Bey's Pineapple Portal Grower, 2025, at Tern Gallery. Martin Parr's Self Portrait, 2007, at Marc Bibiloni. TIMOTHY JOHNSON COURTESY THE AHRENBERG COLLECTION, SWITZERLAND AND MCCLAIN GALLERY ABOVE: © MARTIN PARR / MAGNUM PHOTOS 46