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reenergized, now paired with a 1940s Danish banana sofa recovered in pale pink velvet and an edgy brutalist table with a slate top. Although Krenzien initially worried that using family heirlooms might make the interiors feel too grandma, he grew to appreciate the idea. "Pairing something contemporary with something old makes it feel fresh and young, and it became the driving force of the house," he says. "It pushed us both." The primary bath is one of Jordan's favorite rooms and a standout for its expressive details, despite the small size. He reintroduced pink with rose-colored Ann Sacks tile in the shower, a choice he says feels balanced and gender-neutral rather than overtly feminine. Within its smoky palette of dark-veined marble wainscoting and taupe plaster walls, the room includes a vintage tub and a contemporary rose-colored stool, along with a boldly graphic rug from Austin-based dealer Amelia Tarbet, who sources mainly from Europe. Other private areas include In the parlor, an heirloom tapestry purchased by Jordan's grandmother in Paris in the 1970s. Danish 1940s banana sofa from 1stdibs, re-covered in pale pink Zak+Fox velvet. Lawson-Fenning wingback chairs with custom cushions in Clarke & Clarke Sissinghurst fabric. Vintage Brutalist-style table from Nickey Kehoe, L.A. Custom plaster blend on walls with Farrow & Ball Deep Reddish Brown. Pierce Jordan's home office with a custom Forom desk, OKA chair, West Elm lamp. Formakami paper light pendant, Lemieux et Cie rug, and walls in Farrow & Ball Green Smoke.