Issue link: http://papercitymagazine.uberflip.com/i/162519
Every space is designed for both comfort and maximum visual impact. "I love to put together compositions," Nash says. The entry is a precise composition in black and white, with Lucifer Lights — a photograph by Shirine Gill of X-ray film from Holly Hunt — above a Christian Liaigre lacquer console, shaped to reflect the silhouette of a saddle. SEPTEMBER | PAGE 41 | 2013