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BY CATHERINE D. ANSPON. ART DIRECTION MICHELLE AVIÑA. PHOTOGRAPHY CASEY DUNN. HAIR AND MAKEUP TONYA RINER. — BOB RUSSELL For the second in our series of lives inside the illusive Menil-gray bungalows that surround The Menil Collection, we venture into two of the cottages — the homes of artist Amber Eagle and her artisan husband, Guillermo Rosas, and artist Bob Russell and his wife, mid-century design maven Judy Russell. Discover the bliss of living small and purposefully, shaded by history and across the street from one of the world's most storied private museums. CHEZ JUDY AND BOB RUSSELL The Russells have rented the charming circa-1930s Branard Street bungalow in the de Menil enclave since 2012. (They were recently joined by her mom, nonagenarian baker and ace bridge player Kathleen Sturm.) The couple met during their undergraduate days — Judy remembers Bob walking her to her car at the University of Houston, "and that was it." They have been married 44 years, with a grown son and daughter and their first grandchild on the way. The Russells have feathered their diminutive nest with his artworks; a shared collection of paintings, works on paper and sculpture; enticing rocks and mineral specimens; and well-edited furniture and design finds that tilt to the Mad Men era — evidence of Judy's seven-year tenure at Sunset Settings. (She now works for UT School of Nursing at the Texas Medical Center.) But what occurs outside the bungalow is even more important. "I can walk out my front door and almost touch four different world-class art pavilions," says Bob. "I love the energy of the neighborhood." We first made Bob's acquaintance during visits to Gremillion & Co., where this one-time rock 'n' roll musician who studied architecture in college has long worked as a gallerist. I had known Bob for years when one day he invited me to visit the home where he and Judy were living at the time, in another Menil-owned property. The startlingly beautiful work on view presaged his current well-received career as an artist. (Recent exhibitions include a one-person show at the Jung Center, his solo this spring at Colquitt dealer D.M. Allison Gallery and inclusion in the edgy "Wet" group show curated by Donna Tennant and Henry Hunt at the Williams Tower Gallery.) What's compelling about Russell's work is its feeling of being created in a bygone era — one surmises living in the bungalow reinforces this sensitivity. His collages are remarkable, but in a nuanced way: Combining paper, torn bits of canvas and pencil markings, these understated works possess a nocturnal air informed by cubism and precise geometry. There's always an open-porch policy at bungalow Russell: The couple entertains in the best way possibly, informally and organically. Bloody Mary Sundays, drop- ins by neighbors (including our next profile, Amber Eagle), relatives and a small stream of other fascinating visitors as well as a friendly neighborhood-fed non-feral cat make for a sense of community, all within this leafy allée footsteps from the Twombly Gallery, across from the Menil. "After living near Rice University, in Austin and a Houston downtown loft and having wonderful memories of them all, this home has been the best," Judy says. THE CASA OF AMBER EAGLE AND GUILLERMO ROSAS A regular visitor to the Russells is neighbor/artist Amber Eagle. Eagle is one part of bi-country couple — her husband, artisan Guillermo Rosas (aka Memo), hails from San Miguel de Allende, Mexico. For seven years, this duo has been in residence at a Menil-owned casa — this one, a 750-square-foot garage apartment that Eagle has charmingly decorated with Mexican folk art, her husband's extraordinary metal creations and her own works, which veer from delicate watercolors informed by Surrealism to sculptures reviving the traditional south-of-the-border art of three-dimensional sucre figurines. Make no mistake: Despite her abilities in both media, Eagle is more than a craftswoman. A Rhode Island School of Design alum and former Core Fellow from the Museum of Fine Arts, Houston's vaunted artist-in-residency program, she arrived in town to study at the Glassell School of Art, then became fascinated with the exotic lore and lure of Mexico, where she met her husband, who comes from a celebrated line of metalworkers in the state of Guanajuato. The pair wed in 2010 and became collaborators. Her most recent creations have a DIY edge — especially Eagle's epic art cars. Our Lady of Transportation combines VW hoods into a configuration resembling an antebellum ball gown as blossom, from which Miz Eagle emerges. (Yes, the award-garnering mobile sculpture is street legal.) Her latest car-influenced sculpture, Autoflora, resides at the Lockwood/Eastwood Metro light rail stop Her sugar sculptures, first unveiled at ArtHouston in 2002 in an exhibition at Moody Gallery, were made after receiving a grant to revive vanishing folkways of Mexican culture. (For gringos, the sugar skulls that proliferate during the Day of the Dead celebrations every November are the most familiar manifestations of this art form.) Eagle's range and fascination with vernacular byways can currently be seen in a three-person show at Art Car Museum, which features ethereal drawings as delicate as desserts and a surprising cast of characters in the vein of Leonora Carrington or perhaps even Frida Kahlo without the pathos, and above all, the crowd-stopping, otherworldly Rosebud art car evoking the concept of MENIL BUNGALOWS A TALE OF TWO "I CAN WALK OUT MY FRONT DOOR AND ALMOST TOUCH FOUR DIFFERENT WORLD-CLASS ART PAVILIONS. I LOVE THE ENERGY OF THE NEIGHBORHOOD." The Russells' front porch is the perfect perch. "Living across from the park is always entertaining," says Bob. "Some weekends, there'll be jugglers, acrobats, tightrope walkers, yoga groups, musicians and people from all over the world." In an oddly synchronistic twist of fate, their first home when they began married life in 1971 was actually the bungalow next door. JENNY ANTILL CLIFTON