Issue link: http://papercitymagazine.uberflip.com/i/1538826
Willie Baronet The Stan Richards Professor in Creative Advertising at SMU; former owner and creative director of GroupBaronet (now MasonBaronet); he has been buying and collecting homeless signs as part of a long- term art project titled "We Are All Homeless," and he embarked on a 31-day cross-country trip to buy signs in 24 cities, which became the subject of the documentary Signs of Humanity, which premiered at the Dallas International Film Festival. T he list is long, but if I had to limit it to one thing, I would say expressing creativity in street art — stickers, graffiti, murals — especially when it's showing empathy for others. Corbin Chamberlin The go-to for all matters regarding the spirit world and the energy that surrounds us; founder of Sage & Salt — a modern mystic and intuitive strategist to C-suite executives and a discreet list of Dallas' best; the most modern of modern-day witches. Cool in my field. What's cool now is cutting the cord — in every sense. From energy leaks to toxic subscriptions, people are craving less noise and more clarity. The vibe? Protect your peace at all costs. In the world around me. Kindness is having a moment — and not the performative kind. Mean girls and side-eyes at the amfAR gala? Tired. These days, the ultimate hype beast is a coven of genuinely kind people who want you to win. Christine Beauchamp A recent transplant from Seattle to Dallas; leader of Amazon's North America ecommerce business; focuses her time on increasing selection from brands; implementing customer-centric innovations that leverage artificial intelligence to make shopping with Amazon easier, more personalized, and inspiring; member of luxury travel concierge, Indagare. I ndagare has revolutionized how I plan vacations. I recently returned from an unforgettable trip to Sardinia's Costa Smeralda this summer; from flights and cars to meals, spa services, and tailored excursions — they expertly managed all logistics on my behalf. For those who value both luxury and efficiency in travel, I highly recommend it. George Shackelford Yale educated; deputy director at the Kimbell Art Museum with prior posts at the MFA Boston and MFAH; discerning curatorial eye behind shows including "Degas: The Dancers," "Mary Cassatt: Modern Woman," and "Monet in the 20th Century." I think it's very cool how museums are bringing together innovative mixes of minds to look at art in new, nontraditional ways. A great example of this is the exhibition of the works of Gustave Caillebotte that opened last year at the Musée d'Orsay in Paris, went to the Getty Museum in Los Angeles, and is now [through October 5] on view at the Art Institute of Chicago. The exhibition team is diverse, with ages from under 40 to over 70 — some of them, like me, saw the first major modern Caillebotte exhibition, in Houston and Brooklyn, in 1976-1977; others weren't born then. They got together to look, very specifically, at Caillebotte's paintings of men from all kinds of interpretive and emotional angles, public and private. Evan Meagher Butcher with a cult-like following of carnivores; Texas by way of Louisiana — his namesake Dallas meat boutique is filled with Lafayette-inspired recipes. T he whole industry is shifting toward education a n d t r a n s p a r e n c y. Customers want to know where their meat comes from, how the animal was raised, and what to do with cuts beyond the usual suspects. There's this renaissance happening with nose-to-tail cooking and forgotten cuts that our grandparents knew how to use but got lost along the way. It's exciting how adventurous home cooks are becoming. Going out will always be a treat, but these days, what's cool is staying in. Your flavors, your playlist, your people. Gustave Caillebotte's On the Pont de l'Europe, 1876–1877, at Kimbell Art Museum Corbin Chamberlin Street art in Lisbon, Portugal 19th-century carved wooden diorama of a butcher's shop La Maddalena, Sardinia WILLIE BARONET ORLANDO PELAGIO BONHAM'S 72