Issue link: http://papercitymagazine.uberflip.com/i/1539742
53 for the walls, and Giuffre chose Benjamin Moore Winter Orchard, a slightly darker white, for the ceiling. Both colors create a neutral backdrop for their prodigious art collection. "We just went full maximalist downstairs, with the salon wall," says Loera, who mapped the layout on the floor first, then solicited feedback from art installer Chris Tice. "We were texting Chris pictures in the middle of everything, and he was telling us not to cram it all too close together — let things breathe." The result is a dramatic display that wraps the room in colorful paintings, three-dimensional objects, and photography. The living-room furnishings are just as artful, with such sculptural classics as a 1952-designed Bertoia side chair, a glass- and-chrome Warren Platner coffee table, and a pair of Florence Knoll club chairs in black bouclé. A sapphire-blue Lucite cube serves as a side table, and a trio of waterfall-edge tables — emerald, bronze, and silver — are crafted from reclaimed sheet aluminum by the Berlin studio Tebton. There are also family pieces, among them a pair of 1970s-era André Cazenave Moon Rock floor lamps that belonged to Johnston's grandmother, artist Bebe Johnston. A black- This page, clockwise from top left: Blue bottles installation by Toby Topek. Custom bar by Beto Loera. Art above the door is a series of portraits by Sergio Zenteno. Tolomeo light fixture from Artemide. Jaime Loera fitted the French doors opening to the atrium with colored glass to soften the view.