Issue link: http://papercitymagazine.uberflip.com/i/1544634
The quieter paint color was precisely what gave them permission to be fearless with everything else. years. "For me, the narrative was Vivienne Westwood — traditional English design turned to punk," he says. Three portraits of Abraham Lincoln by Hunt Slonem, which Jennifer collected through the years, give the room a sly Americana undercurrent. On the opposite wall hangs a painting from Obsolete in Los Angeles — a man and woman in formal dress, the latter portly and jovial, martini in hand. "There's a story to almost everything," Jennifer says. "This whole house is just magic." From left: Pierre Frey Poseidon wallpaper, Urban Electric sconces. In Tom Karol's office, the walls are painted in Benjamin Moore Morrissey Green. Schumacher fabric throughout. Below: Designers Corbin and Sara See. Jennifer Karol. 60