Issue link: http://papercitymagazine.uberflip.com/i/1536610
"Nineteenth-century handcrafted elements were introduced in the form of large wood- paneled doorways, intricate plastered surfaces, and moucharaby fretwork, installed on site by artisans from Fez." — Nicolò Castellini Baldissera "During my decades working at Ralph Lauren, we actually looked to Lindeberg's aesthetic often for inspiration. In fact, I wouldn't be at all surprised to learn that I had studied images of this very house over the years while working on various projects." —Alfredo Paredes "In a new kitchen in a restored Charleston carriage house, the furniture-like cabinetry incorporates traditional wrought-iron hinges and wooden knobs, both painted according to local custom." — Gil Schafer In Dar Baba, the Tangier home of Bruno Frisoni and Hervé Van Der Straeten, the pair created one of Tangier's most A kitchen in the Harrie T. Lindeberg-designed Locust Valley home of designer Alfredo Paredes and Brad Goldfarb, with Calacatta viola marble countertops and Lacanche range. From the book Alfredo Paredes at Home, Rizzoli. Photo Noe DeWitt. C opper pans, molds, biscuit cutters, and cake tins, each e m b o s s e d w i t h t h e Marlborough crest, in the kitchen at Blenheim. From the book Blenheim: 300 Years of Life in a Palace by Henrietta Spencer-Churchill, Rizzoli. D esigned by Gil Schafer, a restored Charleston carriage house, from the book A Place to Call Home, Rizzoli. Photo Eric Piasecki. contemporary living spaces, unusually airy and bright. From the book Inside Tangier: Houses & Gardens by Nicolò Castellini Baldissera, Vendome. Photo Guido Taroni.