PaperCity Magazine

December 2017- Dallas

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bath, McFarlain had a panel of it framed like a work of art for the backsplash. Other black-and-white works contrast with the color; the Havel pencil sketch depicts one of his sculptures in the permanent collection at the Modern Art Museum of Fort Worth. "My career started off in fashion design and illustration, and it's that element of sketching that appeals to me," Max says of the work. When it comes to choosing art, she's guided by what the couple already owns. "We edit our purchases carefully so they work together to tell a story," Max says. McFarlain's mission was to create interiors that play a supporting role — not only to the artwork, but also to the stunning architecture and soothing exterior views. He incorporated furniture that the Trowbridges already owned with others purchased or custom- designed for the house. "Max had a vision of what she wanted," McFarlain says. "I just helped her make the right decisions and put her artistic flair to it." Max's custom white Hollywood Regency credenza and Schonbek crystal chandelier glisten in the dining room, which McFarlain balanced with a sculptural dining table designed by Pritzker Architecture Prize-winner Sir Norman Foster and classic Knoll Saarinen chairs covered in deep red mohair. "When I use color, I want it to be sophisticated and last the test of time," says McFarlain, who is known for his neutral selections. Furnishings in the living room are balanced between sleek Left: In the master bedroom, floating night tables by R Brant Design in shagreen and lacquer. Kelly Wearstler mirror and lamp. Restoration Hardware bed. Loloi rug. Above: In the powder bath, Christian Lacroix Butterfly Parade wallpaper. William Platner stool for Knoll, from Scott + Cooner. Waterworks brass fixtures. Maxine Trowbridge.

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