PaperCity Magazine

June 2017 - Dallas

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74 Dior et d'Opale Petit Panache pink gold ring with diamonds and light opal, at the Dior boutique. White-gold camel objet with diamonds and baroque South Sea pearl, at William Noble Rare Jewels. ECCENTRICITY W e are of the opinion one should always ditch the dull and channel originality. Loulou de la Falaise, longtime muse of Yves Saint Laurent, was the pinnacle of originality, with a devil-may-care style that yielded a costumery approach to dressing. She was said to have appeared as an 18th-century Indian princess, pre-Soviet Russian peasant, and 20th-century East Village hippie — all for non-masquerade occasions. What she chose to wear in June 1977 upon her Parisian nuptials to Thadée Klossowski de Rola — a writer and son of the painter Balthus — was a gleaming moment of her charm. In a YSL all-white habiliment of harem pants and turban, garnished with layers of tassels, piles of pearls, and red ribbons, she was far from the virginal bride. Amen! A VOW OF BY CHRISTINA GEYER Naeem Khan Spring 2018 Bridal, at Neiman Marcus, Stanley Korshak. Carolina Herrera Spring 2018 Bridal, at the Carolina Herrera boutique, Neiman Marcus. Thadée Klossowski de Rola and Loulou de la Falaise on their wedding day in June 1977. Chanel Resort 2018, at the Chanel boutique. Jasper Conran's new hotel L'Hôtel Marrakech, originally a Caidal palace. Alberta Ferretti Mia mule, at Stanley Korshak. Alexandre Birman Clarita sandal, at Stanley Korshak. Vista Alegre Love Who You Want plate, at For Home Forty Five Ten.

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